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''Metropolis'' is a 1927 German expressionist epic science-fiction drama film directed by Fritz Lang. Lang and his wife, Thea von Harbou, wrote the silent film, which starred Brigitte Helm, Gustav Fröhlich, Alfred Abel and Rudolf Klein-Rogge. Erich Pommer produced it in the Babelsberg Studios for Universum Film A.G.. It is regarded as a pioneering work of the science-fiction genre in movies, being among the first feature-length movies of the genre. Made in Germany during the Weimar Period, ''Metropolis'' is set in a futuristic urban dystopia and follows the attempts of Freder, the wealthy son of the city's ruler, and Maria, a poor worker, to overcome the vast gulf separating the classes of their city. Filming took place in 1925 at a cost of approximately five million Reichsmarks, making it the most expensive film ever released up to that point. The motion picture's futuristic style shows the influence of the work of the Futurist Italian architect Antonio Sant'Elia. The film met with a mixed response upon its initial release, with many critics praising its technical achievements and social metaphors while others derided its "simplistic and naïve" presentation. Because of its long running-time and the inclusion of footage which censors found questionable, ''Metropolis'' was cut substantially after its German premiere, and large portions of the film went missing over the subsequent decades. Numerous attempts have been made to restore the film since the 1970s. Music producer Giorgio Moroder released a version with a soundtrack by rock artists such as Freddie Mercury, Loverboy and Adam Ant in 1984. A new reconstruction of ''Metropolis'' was shown at the Berlin Film Festival in 2001, and the film was inscribed on UNESCO's Memory of the World Register in the same year, the first film thus distinguished. In 2008 a damaged print of Lang's original cut of the film was found in a museum in Argentina. After a long restoration process, the film was 95% restored and shown on large screens in Berlin and Frankfurt simultaneously on 12 February 2010. ==Plot== In the future of 2026, wealthy industrialists rule the vast city of Metropolis from high-rise tower complexes, while a lower class of underground-dwelling workers toil constantly to operate the machines that provide its power. Joh Fredersen is the city's master. Joh's son Freder idles away his time in a pleasure garden with other rich children. Freder is interrupted by the arrival of a young woman named Maria, who has brought a group of workers' children to witness the lifestyle led by the rich. Maria and the children are quickly ushered away, but Freder is fascinated by Maria and goes to the workers' portion of the city to find her. Freder finds himself in the machine rooms and watches in horror as a huge machine explodes, causing several injuries and deaths, after one of its operators collapses from exhaustion. Freder runs to tell his father. Grot (Heinrich George), one of the foremen, arrives soon afterward to deliver maps found on the bodies of the dead workers. Angry that his assistant Josaphat has failed to be the first to bring him news of either the explosion or the maps, Fredersen fires him. Knowing that he can only go into the depths and become a worker, Josaphat attempts suicide but is stopped by Freder. Concerned by Freder's unusual behaviour, Fredersen dispatches the Thin Man to keep track of his movements. Returning to the machine rooms, Freder encounters the worker Georgy and strikes a deal with him to switch places. Freder instructs Georgy to go to Josaphat's apartment and wait for him. However, while being driven away by Freder's chauffeur, Georgy becomes distracted by the sights and sounds in the Yoshiwara bordello and spends the evening there instead. Meanwhile, Fredersen takes the maps brought by Grot to the inventor Rotwang in order to learn their meaning. Rotwang had been in love with a woman named Hel, who left him to marry Fredersen; she died giving birth to Freder. He has since built a robot (a ''Maschinenmensch'', or Machine-Human) to "resurrect" her. The maps show the layout of a network of ancient catacombs beneath Metropolis, and the two men leave to investigate. They eavesdrop on a gathering of workers, including Freder, and find Maria waiting to address them. Maria prophesies the arrival of a mediator who can bring the working and ruling classes together, and urges the workers to have patience. Freder comes to believe that he could fill the role, and after the meeting breaks up, he declares his love for her. They agree to meet in the city cathedral the next day, then part. Fredersen orders Rotwang to give Maria's likeness to the robot so that it can ruin her reputation among the workers, but does not know of Rotwang's plan to kill Freder as revenge for losing Hel. Rotwang chases Maria up through the catacombs and kidnaps her. The next morning, the Thin Man catches Georgy leaving Yoshiwara, orders him to return to his post, and takes Josaphat's address from him. Freder goes to Josaphat's apartment in search of Georgy, but finds that Georgy never arrived. After telling Josaphat of his time in the workers' city, Freder leaves for the cathedral but does not find Maria there. While continuing his search, he hears her cries while passing Rotwang's house and ends up trapped inside until the robot has been fully transformed into Maria's double. Rotwang sends her to greet Fredersen; Freder finds the two embracing in his office and faints, falling into a prolonged delirium. The false Maria begins to unleash chaos throughout Metropolis, driving men to murder out of lust for her in Yoshiwara and stirring dissent amongst the workers. Freder recovers 10 days later and seeks out Josaphat, who tells him of the spreading trouble. At the same time, the real Maria escapes from Rotwang's house after Fredersen breaks in to fight with him, having learned of Rotwang's treachery. Descending to the catacombs, Freder and Josaphat find the false Maria urging the workers to rise up and destroy the machines. When Freder accuses her of not being the real Maria, the workers recognise him as Fredersen's son and rush him, but Georgy protects him and is stabbed to death. The workers follow the false Maria from their city to the machine rooms, leaving their children behind. They abandon their posts and destroy the Heart Machine, the central power station for Metropolis, after Grot reluctantly grants them access to it on Fredersen's orders. As all systems above and below ground fail, Maria descends to the workers' city, which begins to flood due to the stopped water pumps. She gathers the children in the main square, and with help from Freder and Josaphat, they escape from the workers' city as it crumbles in the flood. In the machine rooms, Grot gets the attention of the wildly celebrating workers and berates them for their out-of-control actions. Realising that they left their children behind in the now-flooded city, the workers go mad with grief and storm out to avenge themselves upon the "witch" (the false Maria), who spurred them on and has since slipped away to join the revelry at Yoshiwara. Meanwhile, Rotwang has fallen under the delusion that Maria is Hel and sets out to find her. The mob captures the false Maria and burns her at the stake; a horrified Freder watches, not understanding the deception until the outer covering disintegrates to reveal the robot underneath. Rotwang chases Maria to the roof of the cathedral, pursued by Freder, and the two men fight as Fredersen and the workers watch from the street. Josaphat tells the workers of their children's safety to stop them from harming Fredersen. Rotwang loses his balance and falls to his death. On the cathedral steps, Freder fulfils his role as mediator by symbolically linking the hands of Fredersen and Grot to bring them together. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Metropolis (1927 film)」の詳細全文を読む スポンサード リンク
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